Haystack Part of Maine's History of Art Colonies

Maine’s towering role in American art owes, in part, to enclaves of artists gathering in out-of-the-way places. With the days of the rusticators long gone, how is the tradition holding up…

The first MacDowell-ish residencies took root in Maine mid-century and have since thrived. The Skowhegan School of Painting & Sculpture, founded in 1946, is one of the country’s most esteemed, with more than 2,000 annual applicants vying for 65 private studios and cottage quarters on a former farm in Madison. Maine-dwelling artists introduced to the state via Skowhegan include Alex Katz and the late David Driskell, Robert Indiana, and Ashley Bryan. In 1950, a group of Maine craftspeople established Haystack Mountain School of Crafts, today on Deer Isle, which a recent PMA exhibit credited with nothing less than having “transformed art, craft, and design in the 20th century.” Artists come by the hundreds each summer for short residencies, workshops, and more.

Read More
Haystack Part of Partnership Program with Maine Sea Grant College Program, University of Maine to Receive 2023 NOAA Sea Grant

Maine Sea Grant College Program, University of Maine researchers and partners throughout the state will receive funding for three projects that address the prevention and removal of marine debris in the Gulf of Maine. Using Sea Grant’s partnered approach to bring science together with communities for solutions that work, the projects will support transformational research and the creation of local coalitions.

Maine Sea Grant, Haystack Mountain School of Crafts, and project partners will be awarded $299,707 to facilitate the recovery, recycling and refabrication of marine debris material in the Gulf of Maine, such as ghost lobster traps and derelict aquaculture farming gear, into new products with creative, practical and industry applications. The community created will connect Maine high school students and professionals with information exchange, professional development and networking opportunities to collaborate on new applications and markets for marine debris.

Read More
New Haystack School director coming from Houston

“The Haystack Board of Trustees is thrilled to welcome Perry Price as our new Executive Director,” Ayumi Horie, President of the Haystack Board of Trustees and Chair of the Search Committee, says. “Perry’s deep and expansive knowledge of craft will bring fresh vision to the school’s already experimental programming and his experienced leadership will support and bolster our dedicated staff. The eight-person Search Committee was impressed with his all-around strength in multiple competencies and was unanimous in their support for Perry’s selection. His career demonstrates a commitment to the values that guide Haystack’s Strategic Plan. He is well-regarded among peers, and he brings inspiring enthusiasm about both Haystack and the future of craft. We are really excited about Perry’s arrival.”

Price holds a bachelor of arts degree in the History of Art from the Johns Hopkins University and a master degree in Museum Studies from the Cooperstown Graduate Program in Museum Studies, State University of New York Oneonta and the New York State Historical Association.

Read More
Haystack Mountain School of Crafts hires new executive director

Haystack Mountain School of Crafts in Deer Isle has hired a new executive director.

Perry Price, who comes to Maine from the Houston Center for Contemporary Craft in Texas, will start in January, the school announced Wednesday.

“Haystack is a singular institution, unique in its committed approach to the studio experience and occupying a niche unto itself in the ecosystem of contemporary craft,” Price said in a statement provided by the school. “That this human-scaled institution may continue to thrive while we continually work towards the promise of the field of craft will be the collective effort of each of us who value this school, and I look forward to working with the remarkable people who make it possible.”

Read More
Leading Artists Weigh In On The Legacy Of Art And Craft Schools

Is a formal arts education still important? Over the past several years, many people have spent time getting in touch with their creative side. As a result, an exploration, and revival, of craft—think pottery, woodworking and painting—has led to a renewed interest in arts educational programs. Several highly acclaimed schools across the country offer dynamic workshops and degrees, allowing students to spend years honing in on a specialized area of study or simply attend classes to become better acquainted with a new interest. Who better to weigh in on the merits of a formal education than three celebrated alums: glass artist Dale Chihuly on Haystack Mountain School of Crafts; industrial designer Jay Sae Jung Oh on Cranbrook Academy of Art; and glass artist and painter Corey Pemberton on Penland School of Craft.

Read More
Stimpson Studio brings design team to Haystack campus for creative retreat

Stimson takes on the challenges of success by staying true to its New England roots

Last September, Stimson invited its entire crew to the Haystack Mountain School of Crafts in Deer Isle, Maine, for a retreat. Do not picture the trust exercises and intense work sessions of a corporate team-building effort. Everybody just went into the studios to throw pots, carve spoons, or forge knives and hung out enjoying the magnificent oceanfront setting and the inspiring campus, a modernist icon designed by Edward Larrabee Barnes. Stimson had recently been invited, along with Simons Architects, onto the team that’s drawing up a new master plan for Haystack. But the week there was not focused on any landscape architecture outcome. It was instead a chance to be together after many months of remote work, finally meet recent hires in person, and try to get the hang of a few unfamiliar artisanal skills. “That takes us out of our comfort zone and loosens us up to take some of those broad principles of the crafts back,” the studio director Laura Gomez observed at the time, “not even specifically applying to craft—but to ways of thinking about how we iterate things.”

Read More
Haystack crafts school on Deer Isle featured among architectural elites

“The list of twenty-five architectural works spans six continents (and space, thanks to the International Space Station) and includes remarkable buildings such as the thirty-eight-story Seagram Building in New York City, the Sydney Opera House, and Renzo Piano, and Richard Rogers’ Centre Pompidou in Paris.

Compiled for The New York Times Style Magazine by a small group of renowned architects, designers, and writers, the works signify “architecture that they felt had not only reshaped the world and era in which it was introduced but also has endured and remains influential today.”

Read More
The 25 Most Significant Works of Post-War Architecture

"Barnes’s finest accomplishment is not just an elegant set of buildings but an ideal space for collaboration: between artists and thinkers, humans, and nature."

American architect Edward Larrabee Barnes (1915-2004) designed the Haystack campus on Deer Isle, which opened to the public in the summer of 1961. The architectural plan situated a series of modest structures on a granite ledge overlooking the Atlantic Ocean, built in a vernacular style with local materials and interconnected by a series of walkways that encouraged community while seeming to float above the forest floor.

Read More
Haystack Mountain School of Crafts shifts to remote classes for 2021

“Along with our online programs, we will focus on additional ways to strengthen the organization: from implementing the first year of our Strategic Plan and developing a long-range campus plan, to completing studio updates, organizing archival materials, and continuing Fab Lab production of personal protective equipment,” the release said. “We will not be idle.”

The online component of Haystack’s programming will be announced in coming months at haystack-mtn.org. An international craft school, Haystack draws students from across the country and the world, mostly during the summer, to its remote campus of cabins and studios in the woods just above the high-water line in Deer Isle.

Read More
Haystack’s Fab Lab makes 4,000 face shields: And gives them away

Haystack Fab Lab Coordinator, James Rutter, started fabricating the face shields in March when a Brooksville writer named Jill Day decided to make them at home. She turned to Haystack for help cutting the plastic, thus jumpstarting what Haystack now calls the COVID-19 PPE Project.

Rutter thought he’d be making face shields through the summer, but now it looks as if the project will go on indefinitely, he said. It has had financial help from the Maine Community Foundation and various local donors. Someone who orders five face shields might give them $20, Rutter said. Haystack employs the students.

From face shields the project expanded to ear savers, adjustable hooks used behind the head to hold the elastic straps on face masks that otherwise cause discomfort. Rutter is also looking into making child-sized face shields and possibly desk shields for classrooms.

Read More
Fab Lab, local mom making protective equipment

A peninsula woman and Haystack’s Fab Lab director are taking orders for personal protective equipment (PPE) from hospitals, ambulance corps and congregate care facilities coping with the COVID-19 pandemic.

It started in late March as an impromptu effort to make face shields for Blue Hill’s hospital. Brooksville writer Jill Day and the Fab Lab’s James Rutter—two people who never met—started working together, but separately, on that project.

Day cut the elastic for the first 500 face shields by hand.

“I’m still swollen on the hand that scissor-cut over 500 strips of elastic,” she wrote in an email. But she did borrow a paper cutter from the Bay School to cut the foam part.

Meanwhile Rutter cut plastic with the Fab Lab’s laser cutter.

By Monday, April 21, they’d made and delivered 400 face shields, with another 100 ready to go.


Read More
Haystack produces face shields for homeless shelter staff

Haystack Mountain School of Crafts has been producing medical-grade face shields — about 500 so far — for the past two weeks for use by local health-care workers and others, including the staff of HOME, which operates homeless shelters in Orland and Ellsworth.

The school, which has canceled programming for 2020 due to the COVID-19 pandemic, is using a 3D printer and other equipment in its fabrication laboratory (fab lab) to produce the shields as well as surgical mask strap “ear savers.” Ear savers are attachments designed to relieve the pressure of mask straps on a wearers’ ears.

James Rutter, the fab lab’s coordinator, said all the equipment is offered for free, thanks to donors, community foundation support and the school itself.



Read More
Maine Acts of Kindness: Gorham woman’s handmade masks aid hospice workers and Crafts School Switches Gears

Editor’s note: This is the latest installment in an occasional series called Maine Acts of Kindness, highlighting volunteer and philanthropic efforts during the pandemic

The Haystack Mountain School of Crafts in Deer Isle was supposed to be celebrating its 70th year of operation this summer. Instead, the pandemic forced cancellation of its renowned artist-in-residence workshops, as well as scheduled community outreach programs.

But Haystack recognized its Fab Lab (short for fabrication laboratory) had tools available for the greater good, especially after local resident Jill Day of Brooksville came to Haystack and asked to use its laser cutter to cut plastic shields.



Read More
Haystack cancels 2020 program due to pandemic

The Haystack Mountain School of Crafts announced Tuesday that it cancelled its 2020 program because of the coronavirus COVID-19 pandemic. The decision will prevent the annual influx of about 1,200 people from all over the world who ordinarily live and work together on Haystack’s remote 35-building campus.

Haystack made the announcement public Tuesday afternoon, March 31, just hours before Maine Gov. Janet Mills ordered all Maine people to stay at home.

“It was a devastating decision to make,” Paul Sacaridiz, Haystack’s executive director, said in a phone interview. But, he said, they decided to suspend the program to keep people safe. “And I’m incredibly proud of that,” he said.

Read More
Fab Lab steps out into the community

The Haystack Mountain School of Crafts held the first-ever Public Access Fab Lab winter workshop on February 15, teaching local people how to use a laser cutter.

The Fab Lab, a digital fabrication studio, has small-scale, high-tech production equipment that artisans can use to make things from delicate wood inlay to 4’ by 8’ furniture.

During its nine-year existence, the [Haystack] Fab Lab has reached out to the Union 76 schools, as well as Haystack’s summer residents. Now the winter workshops, part of a series, represent Haystack’s efforts to further expand its Fab Lab resources to the larger community.

Read More
15 Downeast nonprofits awarded MCF grants to boost innovation

Fifteen nonprofits in Hancock and Washington counties have been awarded a total of $106,305 from the Maine Community Foundation's Downeast Innovation Fund.

The Downeast Innovation Fund Grant program, created two years ago, supports nonprofit organizations that set out to boost entrepreneurship and innovation in business and the local economies of those two counties.

Recipients in the latest funding round include Haystack Mountain School of Crafts, which will use the $5,000 grant to create a new maker space serving local communities.

Read More
Ginger AldrichMAINEBIZ
Tips and Tools: Fab Lab Sponges

Use graphic-design software, a laser cutter/engraver, and a polyurethane sponge to produce incredibly precise and intricate sponge stamps to apply glazes, slips, and wax resist.

Paul Wisotzky, who was awarded an Open Studio Residency at Haystack in 2019, wrote the recent article “Tips and Tools: Fab Lab Sponges" – included in the February 2020 issue of Ceramics Monthly. The article describes his process with digital fabrication tools in the Haystack Fab Lab and outlines how others might approach using and integrating digital technology and fabrication within one’s creative practice.⁠

Read More
Latest, largest-ever donation will help Haystack plan for climate’s threat to campus

When Edward Larrabee Barnes designed the campus of Haystack Mountain School of Crafts in the early 1960s, the architect didn’t have to account for rising sea levels brought on by climate change. He planned some structures within about 20 feet of high tide, giving artists the experience of sleeping and working at water’s edge.

With a new $4 million gift for campus preservation in hand, Haystack can start thinking about what to do about those vulnerable structures and other long-term campus needs, said Paul Sacaridiz, executive director of the school.

Read More