Press — Haystack Mountain School of Crafts

Latest, largest-ever donation will help Haystack plan for climate’s threat to campus

When Edward Larrabee Barnes designed the campus of Haystack Mountain School of Crafts in the early 1960s, the architect didn’t have to account for rising sea levels brought on by climate change. He planned some structures within about 20 feet of high tide, giving artists the experience of sleeping and working at water’s edge.

With a new $4 million gift for campus preservation in hand, Haystack can start thinking about what to do about those vulnerable structures and other long-term campus needs, said Paul Sacaridiz, executive director of the school.

Arielle WalrathDecember 8, 2019Portland Press Herald

Back to School

Haystack Mountain School of Crafts was founded in 1950 (it moved to its current location in 1961) without any set curriculum, teaching faculty or student body. Instead, every summer hundreds of students – from recent college graduates to retirees – descend on Haystack for two-week workshops in ceramics, weaving, woodworking, metalsmithing, glassblowing or printmaking. They are taught by a rotating roster of experts. “The most radical thing about this place is that its entire tenor changes every two weeks,” says Paul Sacaridiz, Haystack’s director since 2015. “It was never an attempt at a traditional school.”

Arielle WalrathDecember 1, 2019Monocle, The Entrepreneurs

Nationally known Deer Isle art school received $4M endowment, its largest gift ever

The gift, the largest in the nationally renowned art school’s history, will allow Haystack to maintain its 40-acre campus, with buildings designed and built in the early 1960s by acclaimed American architect Edward Larrabee Barnes. The grant will function as an endowment, and the funds will be limited to paying for the preservation and maintenance of the buildings, according to a press release sent out by the school on Thursday.

Arielle WalrathNovember 25, 2019Bangor Daily News

Haystack School nets $4 million to preserve campus

The campus, designed by the late American architect Edward Larrabee Barnes, was added to the National Register of Historic Places in 2002.

Barnes’ design situated a series of modest buildings on a granite ledge overlooking the Atlantic Ocean. The shingled structures, built in a vernacular style with local materials, are connected by a series of walkways that encouraged community, while seeming to float above the forest floor.

Arielle WalrathNovember 25, 2019The Ellsworth American

Maine Art School Receives $4M Endowment To Preserve Campus

The Bangor Daily News reports the Haystack Mountain School of Crafts in Deer Isle received its largest gift from the Windgate Foundation on Thursday.

The endowment will be used to fund the ongoing effort to preserve and maintain the school's 40 plus-acres campus.

The nationally renowned art school is located on a cliff overlooking the Jericho Bay in the village of Sunshine in Deer Isle.

Arielle WalrathNovember 25, 2019Maine Public Radio

Deer Isle arts colony receives $4 million gift, the largest in its history

Haystack Mountain School of Crafts said in a news release that the gift from the Windgate Foundation is the single largest in the school’s history.

The money will be permanently restricted, generating annual operating support for the ongoing preservation of the campus, which received a 25-year award from the American Institute of Architects in 1994 for its architectural design and cultural significance.

Arielle WalrathNovember 22, 2019Portland Press Herald

One weekend at Haystack and Maine LGBTQ teens are inspired to be artists

Two years ago, OUT Maine Executive Director Jeanne Dooley had a light-bulb moment while on a personal artistic workshop at Haystack Mountain School of Crafts in Deer Isle. While there, she floated the idea of having the young people she works with at OUT Maine, a statewide resource for LGBTQ youth, go to Haystack for an immersive art weekend.

That idea eventually got traction, funding and momentum and this past September, nearly 70 LGBTQ teenagers from all around the state were able to meet up for a three-day immersive art weekend at Haystack.

Arielle WalrathNovember 18, 2019Penobscot Bay Pilot

IN THE VANGUARD, 1950-1969

A new craft culture was already well under way in America, thanks to the Penland School of Crafts, Black Mountain College and the Cranbrook Academy of Art. Colleges and universities were establishing craft programs as part of their curricula and museums were mounting shows.

Haystack began with a simple philosophy as expressed by Merritt: “In the school’s program, it is the first aim to encourage creative thinking and personal expression.” Guided by that credo, the school embarked on an ever-expanding journey of craft exploration.

Arielle WalrathNovember 1, 2019Ornament Magazine

Review – In the Vanguard: Haystack Mountain School of Crafts, 1950–1969

Borrowing the words of Francis Merritt, the first director of the Haystack Mountain School of Crafts, the title of the Portland Museum of Art exhibition, In the Vanguard: Haystack Mountain School of Crafts, 1950–1969, defiantly flouts the longstanding misconception that the avant-garde is an exclusively urban phenomenon. Now that art historians have widely challenged the dominance of New York and Paris on the development of a singular modernism, exhibitions such as this one are free to position such rural art communities as pivotal nodes in a richer, denser narrative of multiple modernisms that bridge rural and urban, local and global, craft and fine art.

Arielle WalrathSeptember 1, 2019Panorama

When art historian Rachael Arauz ’91 began searching through library archives and attics full of dusty bankers boxers to mount a major museum exhibition about the Haystack Mountain School of Crafts, she was hoping to uncover the origins of the school, unique in North America for bringing together artists and amateurs from a variety of media—fiber, ceramics, metal, wood, glass—for an intense summer experience of art-making, experimentation, and community in rural Maine. What she hadn’t expected to discover was a Wellesley connection. But there in a 1951 newspaper profile of one of the school’s founders, Elizabeth Crawford 1921, was a reference to her attending Wellesley College. “Beth Crawford had really just been lost to history,” says Rachael.

Arielle WalrathSeptember 1, 2019Wellesley Magazine

2019 HAYSTACK SUMMER CONFERENCE REVIEW

Considering Craft: Past, Present And Future

Over four days in early July, a group of close to 100 artists, curators, collectors, and scholars came together to attend the Haystack Mountain School of Crafts 2019 Summer Conference.

Called Craft & Legacy: Writing a History, Preserving a Field, the conference was presented by Haystack in collaboration with the Center for Craft and “designed to surface issues and identify solutions to vital questions facing the preservation and legacy of the field of American craft.” Atiyah Curmally, a master’s degree candidate in the Smithsonian-Corcoran George Washington University Decorative Arts and Design History program, attended the event and kindly provided AJF with a review of the proceedings.

Arielle WalrathJuly 29, 2019Art Jewelry Forum

What makes a great art school? Haystack has the elusive answer.

What makes a great art school? The question corkscrews deeper into the stuff of life than you might think.

If the goal of an art school is to produce great art, you could simply reverse-engineer the question and ask: Where did the best artists go to school? Bingo! There are your best art schools.

But, of course, many great artists never bothered to go to art school. Or if they did, they flunked out; or else they went, only to learn what they didn’t want to be, or do. Creativity is crazy like that. It makes no sense.

Arielle WalrathJuly 24, 2019Washington Post

In Maine, a persistent vision amid the pines

Haystack first set up in tiny Liberty, Maine, in the shadow of Haystack Mountain, before relocating a little more than a decade later to its permanent home on Deer Isle. Buoyed by the optimism of the postwar years, the school imagined a loose, collaborative approach to learning in the embrace of natural wonder. Its crafty seminars cross-pollinated with poetry readings, music, and philosophy lectures. It surely sounds like paradise, and the floor-to-ceiling photographs here back it up: An instructor lecturing to a group of students lolling on a wooden deck overlooking the ocean, an array of tapestries pinned to a canvas amid a grove of mature spruce, a lively conversation taking place in a woodsy studio, underneath a pergola with sunlight streaming through.

Arielle WalrathJune 23, 2019Boston Globe

Museums look at the legacies of 2 Maine art colonies

On May 24, the Portland Museum of Art opens an exhibition about the early days of the Haystack Mountain School of Crafts, exploring the roots of the Deer Isle school and what co-curator Diana Greenwold calls “the pivotal imprint” of Haystack on mid-century American culture. “In the Vanguard: Haystack Mountain School of Crafts, 1950-1969” will be the first major museum exhibition that focuses on the school and its influence, and will make the case that Haystack and the artists associated with it have been central to blurring the boundaries between art and craft, as well as key players in the national discussion about the topic.

Arielle WalrathApril 28, 2019Portland Press Herald

A Celebration Of Haystack, Coastal Maine's Visionary Crafts School

On a misty morning a few years ago while exploring the coast of Maine, I had a chance to visit the Haystack Mountain School of Crafts. Now forget whatever the word "crafts" brings to mind. Founded in 1950, this school on the shores of rugged Deer Isle has long been an incubator for American design and crafts. Experimental, radical and cutting edge, Haystack artists defined midcentury modern and the school had been on my wishlist for ages.

Arielle WalrathApril 25, 2019Forbes

Four Maine arts groups receive $328,000 in federal money

The Portland Museum of Art will receive $100,000 from the National Endowment for the Humanities to support its upcoming exhibition about Haystack Mountain School of Crafts – one of four Maine organizations to benefit from a round of federal grants announced Thursday.

The Portland Museum of Art opens its Haystack exhibition May 24. “In the Vanguard” will explore the Deer Isle school’s early years and its influence on 20th-century craft in America. It is organized by PMA curator Diana Greenwold and Rachael Arauz, an art historian and independent curator.

Arielle WalrathMarch 28, 2019Portland Press Herald