Haystack's core summer workshops include one- and two-week sessions in blacksmithing, clay, fibers, glass, graphics, metals, and wood. Classes are open to adults 18 years or older of all skill levels - from beginners to advanced professionals. Studios are open 24 hours a day, seven days a week, with classes scheduled Monday through Friday. The Haystack community is made up of approximately 85 participants, including staff, students and internationally known faculty artists. Instructors determine the format of their workshops.
Below is a listing of Haystack's 2012 summer workshops - by Medium, Faculty, Workshop Title, and Session.
Baskets |
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| Lissa Hunter |
Making Connections |
Session 2 |
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Beadmaking |
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| Kristina Logan |
Glass Beadmaking - Moving into Metal |
Session 7 |
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Blacksmithing |
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| Jim Wallace |
Playing with Fire |
Session 1 |
| Hoss Haley |
The Anatomy of Sheet Metal |
Session 7 |
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Book Arts |
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| Charles Hobson |
Artists' Books/Evolving Books |
Session 2 |
| Colette Fu |
Pop-Up Book Structures |
Session 7 |
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Clay |
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| Scott Goldberg & Gay Smith |
Working to Make the Pots You Want to Make |
Session 1 |
| Holly Walker |
The Sensory Language of the Hand: Building and Glazing with Earthenware |
Session 2 |
| Paul Sacaridiz |
Testing Theories: Models and Prototypes |
Session 3 |
| Takeshi Yasuda |
Creative Throwing |
Session 4 |
| Andréa Keys Connell |
The Dimensional Figure |
Session 5 |
| Anton Reijnders |
Exploring Sculptural Ideas |
Session 6 |
| Sarah Jaeger |
Making it Work: The Pots, and Life as a Studio Potter |
Session 7 |
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Drawing |
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| Fred Lynch |
Seeing Things as They Are; Life-size Drawing |
Session 1 |
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Enameling |
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| Jamie Bennett |
Painting Enameling: Fine Painting Techniques with Enamel |
Session 4 |
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Fiber |
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| Sarah Wagner |
Drape and Scaffold |
Session 1 |
| Marian Bijlenga |
Collect~Connect |
Session 3 |
| Joyce Scott |
Humorous Beadwork |
Session 7 |
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Forging |
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| Vivian Beer |
Between the Sheets: Steel Forming and Fabrication |
Session 6 |
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Fresco |
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| Barbara Sullivan |
Fresco Workshop: Traditional Methods/Contemporary Approach |
Session 6 |
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Glass |
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| Danté Marioni |
Advanced Glassblowing |
Session 2 |
| Katherine Gray |
The Glassblowing App |
Session 3 |
| Megan Biddle |
Beginning Glass, A Sculptural Approach… |
Session 4 |
| Jin Hongo |
Material, Process, and Form |
Session 5 |
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Metals |
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| Nicole Jacquard |
A Piece a Day |
Session 1 |
| Helen Shirk |
A Potent Pair: Form and Color |
Session 2 |
| Heidi Schwegler |
Moldmaking, Alternative Cold Casting, and Armatures |
Session 3 |
| Michael Good |
Anticlastic Raising |
Session 5 |
| Joe Wood |
In Fact, Fiction in Fact |
Session 6 |
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Mixed Media |
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| Mark Hartung |
From Form to Fruition |
Session 2 |
| Anna Hepler |
Inflatable Drawings/Drawing Inflatables |
Session 5 |
| Kai Chan |
Accessing Creativity from the Kitchen Sink |
Session 6 |
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Papermaking |
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| Jiyoung Chung |
Joomchi and Beyond |
Session 4 |
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Printmaking |
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| Marc St. Pierre |
Photopolymer Film and Mixed Media |
Session 3 |
| Frances Valesco |
Monotype Meets Digital |
Session 5 |
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Quilts |
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| Elizabeth Busch |
Black + White + Color = Quilt |
Session 6 |
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Shibori |
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| Yoshiko Wada |
Boro Transformed: Patched, Pieced, Stitched, and Dyed in Greenest Indigo |
Session 4 |
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Weaving |
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| Marcel Marois |
High Warp Tapestry (Gobelin): Design and Weaving |
Session 5 |
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Wood |
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| Cory Robinson |
Beyond Vernacular–Doors, Drawers, and Surfaces |
Session 1 |
| Andy Buck |
Making a Mark |
Session 4 |
| Stefanie Rocknak |
Faceboards: Carving Human Expressions |
Session 7 |
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Wood/Mixed Media |
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| Daniel Michalik |
Natural, Sustainable, Powerful |
Session 3 |
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Writing |
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| Jen Bervin |
Visual Poetry |
Session 1 |
| Monica Wood |
A Novelist’s Guide to a Memoir |
Session 7 |
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Visiting Musician |
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| Roy Nathanson |
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Session 5 |
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Visiting Writer |
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| Elisabeth Tova Bailey |
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Session 2 |
| Stephen Dunn |
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Session 4 |
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